Showing posts with label Framing. Show all posts
Showing posts with label Framing. Show all posts

Friday, 18 October 2013

Beginner's Crewel - Lesson One

Arriving at Embroidery House for my first class, Beginner's Crewel, I was surprised and delighted to meet 10 other students all as eager as myself to get started. Our teacher Marj was ready and waiting to get us all going with the first task to get the base design transferred onto our fabric.

By now I had bought a 'blue' transfer pen (the type that could be removed with cold water) and used a light box that was available to trace the design lines from the original template supplied.

My original template was much used along the way as you can see. But first up, I did redraw the original design lines with a heavier black texta to make it easier to see for tracing. Some wayward pen strokes suggest I might have rushed this a bit!


But regardless of how heavy handed it looks on the template, using the blue transfer pen provided enough direction for stitching proving to me the thick bold lines I traced on the Majestie design with a regular HB lead pencil are simply not necessary (sample upper left corner).



As we sat down to learn our first stitch, I did notice all the ways students had interpreted the Requirements List. Some used a hoop, others stretcher bars with drawing pins or like me, used a frame. I had sourced a piece of linen twill for my background or rather 'ground' fabric as it is known, but others had cotton drill or evenweave linen. Did these things matter? Well actually they did.

For one, using a frame meant I needed an extra hour to get set up than those with a hoop. Stretcher bars were an efficient option as well. And the student who had a beautiful piece of evenweave linen found it too 'open' to handle the density of the wool thread with the fabric starting to separate and break as he progressed. Most upsetting.



Demonstrated by Marj were:
  • Stem Stitch
  • Coral Knots
  • Fly Stitch
  • Split Stitch
  • Long and Short Stitch
Being able to do these stitches meant we would be able to complete about half the design and what wasn't done in the first lesson was homework, to be completed by the next class in two weeks.

And you know what - I now love homework!

Saturday, 21 September 2013

Setting up Majestie

I was lucky to find a small piece of linen twill to use for the Majestie design. 

Having come from a counted thread background I really knew little of the various ways you can transfer a design. So out came my trusty HB lead pencil and I made sure that design was visible on the fabric while using Nature's light box, bright sunlight through the window.



And while the piece of linen twill was large enough for the design it wasn't for use in a hoop or any frame I had so I machine stitched on some extra calico fabric all around.

I consulted with some friends online and learned that:
  • I was going to have to cover all of those HB lead pencil lines as they would not be removable. I know that sounds so obvious but it really did impact the way I had to stitch.
  • It was not necessary to be so heavy handed. I have since started using a variety of transfer pens but if I am going to use a pencil I now use a Papermate Non-Stop Pencil when I need to draw a line I know will be covered. Much easier to control and with a nice fine tip.
PAPERMATE NON STOP PENCIL (PK12) , PAPERMATE ,
  • my KlipFast frame set up, so useful for cross stitch would not be suitable for Crewel. The fabric needs to be drum tight, not sitting politely waiting for threads to be counted and the tension reliant on the experience of the stitcher.


The Majestie was transferred onto a tapestry frame with the sides laced for all around tension.  
The instructions required the raised stem stitch stem be completed first. I used a 3-ply Caron Watercolour prima cotton thread and separated it into a single strand. It worked a treat.




At least I had now started, even if I was not using wool.

One thing I learnt was that Crewel refers to the use of 2 ply worsted wool  as was used historically on linen fabric reaching as far back as the Bayeux Tapestry, thought to have been stitched nearly a 1,000 years ago. 

In modern days though, Crewel is a term used much more flexibly and is often used in association with Jacobean design rather than the strict use of woollen thread.

I thoroughly enjoy looking at: