Monday 11 November 2013

Design No. 11 Selected

I was successful in my application to do the EGV Intermediate Crewel Class but there was a little bit of time to fill before it started so I selected another design from Shelagh Amor's book - Crewel Embroidery - A Practical Guide.

I had admired this design from the moment I saw it. All those gorgeous scrolling curves and such a variety of stitches to work.



There were some other things I wanted to try as well:
  • using another fabric not the usual linen twill
  • working a larger design on a frame (fabric measurement is 50cm x 40cm)
  • trying out a different transfer method, this time tacking the design through tissue paper.


Fabric
I had recently bought some twill fabric at a Craft Fair in two colours. This fabric was a fairly heavyweight linen/cotton mix and was quite sturdy. I did ask around about a good test to see if a fabric can handle Crewel Embroidery and testing French Knots with 2 strands of Crewel wool in a Size 3 needle seemed a reasonable trial. My fabric choice was fine.

I chose the natural stone colour to use but did decide to back the fabric with some lightweight interfacing. I had an idea at the time of what the completed piece might turn into so wanted to cover all bases.

Design Transfer


The design was then traced onto tissue paper directly from the A4 page in the book. This is a particularly good feature about this book, the designs are life size and instantly usable. No mucking around with photocopiers or trying to re-size the patterns bigger or smaller. Everything is ready to use.


Framing Up
By now I had read about Slate Frames and how Crewel Embroidery is traditionally done on such frames. Slate Frames are different from Tapestry Frames in that the side bars have holes spaced along them to enable the fabric tension to be controlled effectively.

Slate Frame side bar and cotter pin

However Slate Frames aren't as readily available as Tapestry Frames and can be relatively expensive so I settled for buying a Tapestry Frame large enough to trace the complete design. 


I imagine you could roll the fabric around the end rollers of a Tapestry Frame if you had an even larger design but that would entail lots of re-lacing and re-tightening of screws and wingnuts. Now that would be a distraction if you were well into the stitching!

But for me and and as I wanted to give working with a larger frame a try, I was very happy with my Tapestry Frame set up - so far, so good.

No comments:

Post a Comment